On this anniversary, nothing can be posted that is more important than recognizing what was lost, and in some ways gained, ten years ago.
I discovered the beautifully written words of former House & Garden editor-in-chief Dominique Browning today. She uncovered a piece she wrote the day following September 11, 2001 for the magazine. It reminded me very much of Celerie Kemble's words in her latest book, where she recalled feeling her career in design was somewhat trivial following the events of that day. Dominique's poignant words are as real and settling as they were ten years ago.
My 12-year-old, Theo, sat on the floor in my arms, watching the news coverage that afternoon when I finally got home, playing with blocks he hadn't glanced at in years, building towers with them, knocking them down with a model airplane, rebuilding the towers, knocking them down again, hardly conscious of what he was doing, over and over, sorting it out. After school the next day, having learned which classmates had lost mothers or fathers or both, he called me at the office in Times Square suggesting that I bring a parachute in from home (as if I have a stash in the mudroom) and keep it under my desk. How does anyone make sense of all this, much less help a child do it?
Of course, no one is thinking about chintz, or blueprints, or birdbaths this week. But then again, no one ever thought those sorts of things were the most meaningful parts of our houses and gardens. Everyone is thinking about home, about getting home, getting to our children, our parents, our sisters and brothers, our loved ones. And everyone is thinking about families that will never be the same, about rooms that will never ring with the same laughter, about smiles that will never again be seen around the table. We take so many things for granted--as we should, to go on with our lives. We don't ever stop to wonder, standing at the kitchen door, if the kiss goodbye, before leaving to take the train into the city to work, will be the last kiss. How could we ask such questions and get through the days?
Still, we put together a magazine that is about decorating, and gardening, and entertaining; we will be sending our readers information about holiday style and sharing our shopping lists. At first it seems unreasonably trivial to have to focus on these things again. And then, on reflection, you realize that that's really all there is, the little things of everyday life, the mundane details that pile up into whatever larger sense we make of our days. Anyone who has suffered any loss at all--and we all have--would give up so much just to go back to the way things were before the murderous morning. Really, what was more important than sitting at the dinner table with people you love? What was more precious than the sense of peace and quiet settling over the house as you tucked everyone in for the night? What was more satisfying than getting all the windows closed before the rain slashed down? What was lovelier than that neat stack of ironed shirts on the closet shelf, ready for the next day's work?
Theo, who loves to ask questions, particularly concerning the essential nature of chores, is often especially puzzled by the need to make the bed. "Why do you bother, Mom?" he'll say. "You're just going to mess it up again." I've tried lots of arguments, ranging from a rather haywire aesthetic theory of order, to the typical parental (and slightly desperate) bid for power: because I said so.
This morning, as I pulled the comforter back over the corners, and smoothed the pillows into shape and placed them across the top of the sheets, I felt it was all so simple and clear and necessary and important: because we can, we plant the flowers and wash the dishes and fold the linen and wax the floors and arrange things on the mantel and take care with the color of the curtains and re-cover the sofas--and Theo, we make the bed, just so we can mess it up, again and again and again. If we are so lucky.
Dominique Browning
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